Wednesday, May 10, 2023

The Babel Apocalypse Guest Post and Giveaway

 


THE BABEL APOCALYPSE

by Vyvyan Evans

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GENRE: Science Fiction

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BLURB:

Language is no longer learned, but streamed to neural implants regulated by lang-laws. Those who can't afford language streaming services are feral, living on the fringes of society. Big tech corporations control language, the world’s most valuable commodity.

But when a massive cyberattack causes a global language outage, catastrophe looms.

Europol detective Emyr Morgan is assigned to the case. His prime suspect is Professor Ebba Black, the last native speaker of language in the automated world, and leader of the Babel cyberterrorist organization. But Emyr soon learns that in a world of corporate power, where those who control language control everything, all is not as it seems.

As he and Ebba collide, Emyr faces an existential dilemma between loyalty and betrayal, when everything he once believed in is called into question. To prevent the imminent collapse of civilization and a global war between the great federations, he must figure out friend from foe—his life depends on it. And with the odds stacked against him, he must find a way to stop the Babel Apocalypse.

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Excerpt 

As I was about to glance back at the voices, a light flickered in my peripheral vision, drawing my gaze upward to the night sky. A soft white glow, high up in the dark. At first it was indistinguishable from the airway lights. But it persisted, the size of a small disk at first, before shifting to red-orange, getting larger. At that point I realized it definitely couldn’t be a hover car. This was farther up, probably low Earth orbit, which explained the initial white. But the shift in coloration—that meant a detonation, producing nitrogen dioxide, which turned deep orange when mixed with air. A gaseous cloud has reached the atmosphere, I thought. I was witnessing a chemical explosion in space large enough to be visible to the naked eye. But what was exploding?

As I continued looking up, the orange grew in intensity until it flared across the skyline, illuminating the entire landscape around me with an eerie red-orange. It was only then that I became aware of the newly hushed silence of the drunken revelers nearby. And the silhouettes of other people too, who had also stopped and peppered the pedestrian corridor. We were all now strange red creatures, watching transfixed in rapt silence as the night sky was on fire. And just as suddenly as it had appeared, it was gone; the orange light faded back into a deep well of pitch black.

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Guest Post

The Babel Apocalypse predicts a near-future when language is no longer learned, but streamed to neural implants in people’s head, streamed from internet in space. The book explores the dystopian consequences of this.

In a future era of language-as-commodity, it is inevitable that whether a language lives or dies would be based on economics. In other words, those languages with little demand on streaming services would cease to exist.

As language would be stored entirely on servers, language would, in effect, be controlled by the big tech companies that lease it back to human populations that have undergone language chipping.

The Babel Apocalypse imagines a system where language is controlled by a body based in California, called Unilanguage. This is modelled on the very system in place for vetting new emojis, which are controlled and approved by Unicode (also based in California, controlled by just a few of the world’s leading tech firms).

One consequence would be that as languages fall out of demand, there would be little incentive for big tech firms to continue to store them, tying up valuable server space. And as populations undergo the process of having language chips implanted in their brains, native speakers would cease to exist. Hence, lesser-used languages would simply die out—a consequence of lack of demand, which is simple economics at work. If there is no demand, it doesn’t pay. Hence, providers stop offering it.

The Babel Apocalypse imagines a future in which there are just 250 surviving languages (compared to around 7,000 today).

National governments would, inevitably, try to preserve cultural unity, while ensuring subscriptions are affordable for the poorest citizens. Hence, The Babel Apocalypse posits a situation in which (most) states require all public security systems (referred to as VirDas—short for Virtual Digital Assistants) to run on a single state language. For context, VirDas are the mechanisms for processing voice commands, and hence the main security portals for accessing everything from grocery stores to offices, from vehicles to homes.

As an example, the national state language in France, on which all public VirDas would run, would be French. In the US, it would likely be English. In practice, this would mean that in France, say, it would be sufficient to only need to pay for a single language streaming package. And to gain entry to a supermarket, for instance, the language user would identify at the store entrance, using voice commands, by speaking into the VirDa. Incidentally, this technology would also mean that stores and supermarkets are fully automated (no need for human clerks or cashiers). Label sensor fusion tech, already being trialled, would mean that a shopper’s groceries can be located with each individual shopper, who would use their voice command authorization to pay for their purchase at self-checkout, prior to being “allowed” to leave the store.

Of course, there are multiple consequences of all this for language. Regional accents and dialects, being non-standard, would require more expensive streaming subscriptions—this entails that regional accents would become status symbols. The working classes would be, in effect, priced out of their own local language varieties.

The range and variety of human language would be erased at a stroke. This, self-evidently, has implications for identity, ethnicity, and so on. It also has consequences for who controls language, and how new words are coined, or come to fall out of use. These would become decisions for big tech and government, not individual speakers of languages.

Given all this, The Babel Apocalypse serves as a warning: when we lose language we all lose.

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AUTHOR Bio and Links:

Dr. Vyvyan Evans is a native of Chester, England. He holds a PhD in linguistics from Georgetown University, Washington, D.C., and is a Professor of Linguistics. He has published numerous acclaimed popular science and technical books on language and linguistics. His popular science essays and articles have appeared in numerous venues including 'The Guardian', 'Psychology Today', 'New York Post', 'New Scientist', 'Newsweek' and 'The New Republic'. His award-winning writing focuses, in one way or another, on the nature of language and mind, the impact of technology on language, and the future of communication. His science fiction work explores the status of language and digital communication technology as potential weapons of mass destruction.


Book website (including ‘Buy’ links): www.songs-of-the-sage.com

Author website: https://www.vyvevans.net/

Youtube channel:https://www.youtube.com/@vyvevans

Twitter:https://twitter.com/VyvEvans

Facebook: https://www.facebook.com/Vyvyan.Evans.Author

Instagram:https://www.instagram.com/nephilim_publishing/

The Babel Apocalypse earned a starred review in Kirkus: "A perfect fusion of SF, thriller, and mystery—smart speculative fiction at its very best."

The full review is here: https://www.kirkusreviews.com/book-reviews/vyvyan-evans/the-babel-apocalypse-songs-of-the-sage/

a Rafflecopter giveaway

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2 comments:

  1. Thanks for sharing my guest post. I'd be curious to know how plausible your readers think this near future is? Especially in the light of the rise of smart AI, intelligent chatbots that can pass the Turning Test...

    ReplyDelete

I try to get comments published as quickly as possible. I don't always reply to comments on my blog, but I do try to visit as many people as possible when I participate in blog hops and I share links where possible to Twitter, Facebook, Pinterest, and such so others can discover your work. I do read and appreciate your comments.