THE DARK COURT
Vyvyan Evans
~~~~~~~~~~~~~
GENRE: Science Fiction
~~~~~~~~~~~~~
BLURB:
A genre-blending dystopian, sci-fi mystery-thriller that will make you think about communication in a whole new way.
Five years after the Great Language Outage, lang-laws have been repealed, but world affairs have only gotten worse. The new automation agenda has resulted in a social caste system based on IQ. Manual employment is a thing of the past, and the lowest soc-ed class, the Unskills, are forced into permanent unemployment.
In a world on the brink of civil war, a deadly insomnia pandemic threatens to kill billions. Lilith King, Interpol’s most celebrated detective, is assigned to the case.
Together with a sleep specialist, Dr. Kace Westwood, Lilith must figure out who or what is behind this new threat. Could the pandemic be the result of the upskilling vagus chips being offered to the lowest soc-ed class? Or are language chips being hacked? And what of the viral conspiracy theories by the mysterious Dark Court, sweeping the globe? Lilith must work every possible angle, and quickly: she is running out of time!
While attempting to stop a vast conspiracy on an intergalactic scale, Lilith also faces shocking revelations about her origin, coming to terms with her own destiny.
~~~~~~~~~~~~~
Excerpt
But just then, twenty meters in front of me, a small group of Dark Court cultists emerged, out from a side corridor. I grimaced—this only meant trouble. There were four of them, this time with cappa hoods covering their heads, obscuring their faces from sec-cam and LS orb identification by NYPD droids. They were no doubt trying to imitate their beloved, so-called adjudicators, the self-appointed, anonymous leaders of this vile cult of violence and misinformation. The cultists were dressed in black from head to toe, including leather pants and tunics. They even wore black, tactical Kevlar gloves.
The cultists spotted me. “Let’s get her, boys,” said one voice. Then I heard raucous laughter.
They moved toward me, cutting off my route to the UN employee East River entrance. And as they approached, they pulled out neural shock sticks, sheathed in cases worn around their belts. Of course, just my luck. The long, thin devices were illegal, and for good reason. If applied for more than a few seconds, they could result in permanent brain damage or even death. I steeled myself—this was the only way through.
As I neared, the group appeared surprised I was still heading toward them—not the response they expected. I would never run away again, not since that night in the Black Forest, twenty years ago. Sure, I had been through Interpol’s basic combat training, back in the day. For what that was worth. But since the Black Forest, I had taken self-defense training to insane levels, obsessive as always. You could say I had elevated it to the status of a dark art.
Guest Post
Background to Unilanguage: They who control language control everything
The Dark Court is book #2 in the Songs of the Sage science fiction book series. The books predict a near-future when language is no longer learned, but streamed to neural implants in people’s head, streamed from internet in space. The book explores the dystopian consequences of this.
In a future era of language-as-commodity, it is inevitable that whether a language lives or dies would be based on economics. In other words, those languages with little demand on streaming services would cease to exist.
As language would be stored entirely on servers, language would, in effect, be controlled by the big tech companies that lease it back to human populations that have undergone language chipping.
The Songs of the Sage books imagine a system where language is controlled by a body based in California, called Unilanguage. This is modelled on the very system in place for vetting new emojis, which are controlled and approved by Unicode (also based in California, controlled by just a few of the world’s leading tech firms).
One consequence would be that as languages fall out of demand, there would be little incentive for big tech firms to continue to store them, tying up valuable server space. And as populations undergo the process of having language chips implanted in their brains, native speakers would cease to exist. Hence, lesser-used languages would simply die out—a consequence of lack of demand, which is simple economics at work. If there is no demand, it doesn’t pay. Hence, providers stop offering it.
The books imagine a future in which there are just 250 surviving languages (compared to around 7,000 today).
National governments would, inevitably, try to preserve cultural unity, while ensuring subscriptions are affordable for the poorest citizens. Hence, the Songs of the Sage books posit a situation in which (most) states require all public security systems (referred to as VirDas—short for Virtual Digital Assistants) to run on a single state language. For context, VirDas are the mechanisms for processing voice commands, and hence the main security portals for accessing everything from grocery stores to offices, from vehicles to homes.
As an example, the national state language in France, on which all public VirDas would run, would be French. In the US, it would likely be English. In practice, this would mean that in France, say, it would be sufficient to only need to pay for a single language streaming package. And to gain entry to a supermarket, for instance, the language user would identify at the store entrance, using voice commands, by speaking into the VirDa. Incidentally, this technology would also mean that stores and supermarkets are fully automated (no need for human clerks or cashiers). Label sensor fusion tech, already being trialled, would mean that a shopper’s groceries can be located with each individual shopper, who would use their voice command authorization to pay for their purchase at self-checkout, prior to being “allowed” to leave the store.
Of course, there are multiple consequences of all this for language. Regional accents and dialects, being non-standard, would require more expensive streaming subscriptions—this entails that regional accents would become status symbols. The working classes would be, in effect, priced out of their own local language varieties.
The range and variety of human language would be erased at a stroke. This, self-evidently, has implications for identity, ethnicity, and so on. It also has consequences for who controls language, and how new words are coined, or come to fall out of use. These would become decisions for big tech and government, not individual speakers of languages.
Given all this, The Dark Court, along with the other books in the series, serve as a warning: when we lose language we all lose.
AUTHOR Bio and Links:
Dr. Vyvyan Evans is a native of Chester, England. He holds a PhD in linguistics from Georgetown University, Washington, D.C., and is a Professor of Linguistics. He has published numerous acclaimed popular science and technical books on language and linguistics. His popular science essays and articles have appeared in numerous venues including 'The Guardian', 'Psychology Today', 'New York Post', 'New Scientist', 'Newsweek' and 'The New Republic'. His award-winning writing focuses, in one way or another, on the nature of language and mind, the impact of technology on language, and the future of communication. His science fiction work explores the status of language and digital communication technology as potential weapons of mass destruction.
Book website (including ‘Buy’ links): http://www.songs-of-the-sage.com
Author website: https://www.vyvevans.net/
Youtube channel: https://www.youtube.com/@vyvevans
Twitter: https://twitter.com/VyvEvans
Facebook: https://www.facebook.com/Vyvyan.Evans.Author
Instagram: https://www.instagram.com/nephilim_publishing/
~~~~~~~~~~~~~
GIVEAWAY INFORMATION and RAFFLECOPTER CODE
Vyvyan Evans will award a randomly drawn winner paperback copies of both book 1 and book 2 of the series
