Showing posts with label size prejudice. Show all posts
Showing posts with label size prejudice. Show all posts

Sunday, February 11, 2024

Cross My Candy Heart New Release Blitz #IndiGo

Title:  Cross My Candy Heart

Series: A Belleview Holiday Romance

Author: A.C. Thomas

Publisher:  NineStar Press

Release Date: 02/06/2024

Heat Level: 3 - Some Sex

Pairing: Male/Male

Length: 26700

Genre: Contemporary, contemporary, holiday/Valentine’s Day, office worker, singing telegram, nerds, size difference, mistaken identity

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Description

Love is the last thing on Justin’s mind. Sure, he’s noticed the big, shy guy who comes in for his coffee every morning, but Justin doesn’t have time to indulge in a crush. After his last disastrous breakup, he needs to get his head out of the clouds and focus on climbing out of debt with his pile of part-time jobs. The singing telegram gig is the most embarrassing by far, but at least no one will ever recognize him in his ridiculous costumes. It’s temporary, just through the Valentine season.

Adam is in love. He just needs to drum up the nerve to do something about it. A daily smile from the cute guy behind the coffee counter is the bright spot in his day, keeping him going through the work week in an office filled with jerks. Especially when one of the jerks starts sending him romantic telegrams as a joke. There’s nothing he hates more than public humiliation. If he ever finds out who’s behind it, heads will roll.

Love songs, lies, and an absurd amount of glitter pave the way to a romance neither of them expected. Adam is everything Justin’s ever dreamed of, but he can never discover Justin’s terrible, fuzzy, off-key secret.

This Valentine’s Day, Cupid doesn’t miss, even if he has terrible timing.

Excerpt

Cross My Candy Heart
A.C. Thomas © 2024
All Rights Reserved

The stares started in the parking garage and only got worse as he entered the lobby.

This latest assignment brought him to one of the four high-rise buildings that defined downtown Belleview, the biggest one, some financial firm. It stood out against the mountain landscape like alien architecture that had dropped from the sky, dark and shining and bleak beside the trees and mountains jagged with life.

Ignoring the gobsmacked expressions on the receptionists’ faces, he approached the front desk. “Hi, how you doing? I’m here to make a special delivery on the sixteenth floor.”

The older of the two receptionists shushed the other’s giggling as she dutifully tapped away at her computer. “Name?”

Out of habit, Justin almost glanced at a name badge he was no longer wearing. Instead, he passed along the crumpled order form in his sweaty gloved fist. “I represent Season’s Greetings, with a telegram delivery for Adam Hubert.”

She perked up immediately, taking in his work uniform with a slowly spreading grin. “Adam Hubert, up in IT? Oh, honey, wish I was coming with you. That’s gonna be a sight to see.”

Nothing in her words or her delivery inspired confidence. Oh well, some gigs were more difficult than others. Not everyone appreciated a personalized singing telegram. Justin had already run the gamut of reactions from delight to disgust, and now, he just wanted to get each assignment done so he could move on to the next. “Can you direct me to his office?”

“Says right there on your paper. Floor 16, room 319. I promise you’ll know him when you see him; he stands out around here. Not as much as you in that getup, but he’s never exactly blended in either. Big hulking guy, always wears a frown, nobody can get a smile out of him. Folks up on his floor call him ‘Lurch.’” She added that final aside in a stage whisper with a conspiratorial air that rubbed Justin the wrong way.

He retrieved his order form and stuffed it in his pocket. “That doesn’t seem like a very nice name to call somebody.”

“He’s not very popular. Alright, here’s your badge.” She slapped a little barcode sticker on his furry chest with uncalled-for glee. “That should let you in the right doors. Tell Charlene up in reception to call me when you get there. I wanna listen in.”

He left with a half-hearted wave, his boss’s ancient boom box weighing heavily in his hand. “Thanks.”

Purchase

NineStar Press | Books2Read

Meet the Author

A.C. Thomas left the glamorous world of teaching preschool for the even more glamorous world of staying home with her toddler. Between the diaper changes and tea parties, she escapes into fantastical worlds, reading every romance available and even writing a few herself. 

She devours books of every flavor—science fiction, historical, fantasy—but always with a touch of romance because she believes there is nothing more fantastical than the transformative power of love.

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One lucky winner will receive a $50.00 NineStar Press Gift Code! 


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Friday, December 16, 2022

Gobbledy Review #rabtbooktours

 

Juvenile Fiction / Holiday

Date Published: 10/20/2020

Publisher: SparkPress

 

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Ever since Dexter and Dougal’s mom passed away, life has been different—but things take a whole new turn when a shooting star turns out to be a creature from outer space!

Gobbledy is a fun-filled holiday story that adds up to two brothers, three friends, unlimited jars of peanut butter, a ketchup factory, and one little alien far, far from home.


2021 Independent Press Awards Winner in Holiday

2021 IBPA Benjamin Franklin Awards Silver Medal Winner

2021 Book Excellence Awards Finalist in Holiday

2020 New York City Big Book Awards Winner in Holiday

2020 Wishing Shelf Book Awards Gold Medal Winner

2021 15th Annual National Indie Excellence® Awards Finalist

 


“Hugely entertaining as well as emotionally moving.”

―Kirkus Reviews

 

“This charming alien-in-the-attic story boasts engaging characters, witty storytelling, and a furry little beast that will eat anything, all wrapped up in a warm holiday package.”

―Booklife


“A delightfully entertaining novel by an author with a genuine flair for originality and the kind of narrative storytelling style that will fully engage the imaginative attention of appreciative young readers ages 8-11, Gobbledy by Lis Anna-Langston . . . will prove to be an immediate and enduringly popular addition to elementary school, middle school, and community library collections.”

―Midwest Book Review


“In Gobbledy, Lis Anna-Langston offers her readers a sparkling novel of discovery, adventure, and the abiding consolation of friendship . . . Eleven-year-old protagonist Dexter’s progress from bumbling troublemaker to triumphant (but still bumbling) hero is sweet, utterly convincing, and thoroughly engaging. This novel’s generous heart won me over from the get-go.”

―John Gregory Brown, acclaimed author of A Thousand Miles from Nowhere

 

Excerpt

One

Tiny dots of stars and planets form constellations above my head. Orion. The bear. The great hunter. I’m only eleven, but I know a lot about the stars. It’s where my mom lives now. I come out on cool, clear evenings through the broken window in the attic to lie on the roof and listen for the sound of her voice.

“Dexter?” A voice whispers to the left of my head.

I look over. My little brother Dougal leans out of the window, looking first at me, then up into the sparkling sky. “Aren’t you cold?”

I shrug, feeling the scratchy shingles beneath my jacket. “I like it out here.”

Dougal swings a leg through the window. Where I’m lying is the flattest part of the roof. On either side it swoops up so steep that even I won’t climb it. Dougal stops in the windowsill, letting his legs dangle. His big personality makes it easy for me to forget that he’s only eight years old. Eight and a half, he’ll point out. Still, even for someone almost nine, he looks tiny in the window with the glow of light from the attic.

When Mom was here, she spent hours in the attic, building a small replica of the town where we live. She didn’t grow up here. She said she picked this small town in Pennsylvania because, to her, it was the most magical place on Earth. Mom had answers for everything.

Maybe that’s why I spend so much time on the roof, hoping to see a sign that she’s listening.

The Cricket Colony had been Mom’s idea. Since me and my best friend, Fiona, spend so much time in the forest near our house, she’d suggested I make adventure a part of my grade. Tomorrow I turn in the crickets for my end-of-the-semester science project. Then I have to turn them loose back in the forest, where they’ll make homes under thick beds of leaves to stay warm. But I’ll miss them a lot.

Dougal shivers. “Dad was weird tonight.”

I nod. “Dad’s been weird every night for a few months now.”

Stars sparkle in the dark sky. We all want her back, even if we don’t talk about it. Instead, we talk about far-off galaxies.

My little brother points to the sky. “There’s Andromeda.”

It was Mom’s favorite, because you can see it just by lying on a roof at the end of autumn. Mom said things like, “I believe that’s a globular cluster,” and “Stars are old.” She said that when stars die, they sometimes leave a black hole behind to remind everyone they were alive once. There is definitely a hole in our family. Not a bad hole, but a big hole. The kind of hole that sneaks up on me late at night when I remember. So, sometimes, I climb out here to forget.

My walkie-talkie crackles to life on the flat space next to me. “Gamma Ray to Cosmic. Come in, Cosmic.”

Dougal leans forward, trying to get a look at the Little Dipper.

I press the button. “Cosmic here.”

“Whew. I thought you’d slipped into another dimension.”

“Hardly. I’m up on the roof.”

Fi is quiet a second; then she says, “Any signs yet?”

“Nope. But sometimes these things take a while.”

“Speaking of taking a while, I gotta wake up super early to finish my project, so I gotta get some sleep.”

“Got a title yet?”

She laughs. “Nope.” A second passes. “Tell Dougal I said goodnight, and I’ll be out back in the morning.”

Dougal softly yells, “Goodnight,” over my shoulder and pushes off to go inside.

Someday I want to be able to sleep under the stars without having to worry about rolling off the roof. Mom said space is full of magic, but there isn’t much magic since she left. I guess that’s just how it is sometimes. I stand up, stretching.

I’m ready for adventure. Except it’s late, and Dad hates it when I wake him up, going up and down the stairs.

I climb back through the window and look at the attic. An old sofa with a stack of books on building miniatures; a work table with the village on top; Mom’s favorite blanket; a cart full of brushes, glue, and a few big jars like the one I used to make my Cricket Colony.

Out of the corner of my eye, I see a flash and turn.

There, blazing its way across the dark, is the most incredible falling star I’ve ever seen. It’s so close, I swear I can hear the sizzle. I know it’s a sign. I squeeze my eyes shut and make a wish.


Free use image from Pixabay

Ornery Owl's Review

Rating: Four out of Five Stars

This story does a lot of things well. Dexter is a kid who can't seem to do anything right in the eyes of his father or his teachers. He misses his mother, who passed away. Fortunately, he has a good friend in his neighbor Fi, and his relationship with his younger brother Dougal isn't terrible. 

Dexter's life is turned upside down after he places what he believes to be a golden rock in a jar with his cricket colony. The next thing Dexter knows, there is a strange creature in the jar. It is now up to Dexter, Dougal, and Fi to assist the creature, whom they have named Gobbledy because it gobbles up anything they feed it.

Gobbledy is adorable and the kids are plucky outsiders doing their best to get by in less-than-ideal circumstances. All of them have suffered devastating losses and the adults in their lives are too busy and distracted to be as involved as they ought to be. The theme of helping someone in trouble is a positive one. I was thinking I would probably give the book a five-star rating...

Until I read the sort of passage that I dread seeing in a book, especially a book written for a young audience.

Turning the screen around so I can see it, she points at two of the biggest losers I’ve ever seen. They’re both overweight with long, stringy hair. I wrinkle my brow and say, “They look like they’ve been living in a basement eating junk food for pretty much their entire lives.”
“They have,” Fi says, matter-of-fact. Their plump, white faces fill the screen. They’re dressed in camo and holding cameras and other gear. Fi raises an eyebrow.

Appearance shaming is never acceptable, particularly in a book for kids. This passage is, in essence, saying "it's okay to judge others based on what they look like." The passage contains multiple harmful stereotypes.

First, we cannot know what or how much a person eats based on their physique. The only thing one can know about a fat person based on their physique is that they're fat. We have no way of knowing what this person eats, how much of a given food they eat, what medications they may be taking, what physical or psychological conditions they may be dealing with, or whether or not they have dealt with or are dealing with an eating disorder.

I often feel like many authors either think fat people are too stupid and/or uneducated to read so they can write what they want with impunity, that fat people don't really exist, they are plot devices to illustrate Bad Behaviors, or both. I, for instance, can always be used as a bad example, it isn't because I'm fat. 

Also, having Dexter describe these guys as "losers" because of their looks--Really? Teaching kids to call other people "losers" is not a positive thing by any stretch of the imagination. Socially awkward people aren't "losers." Fat people aren't "losers." Socially awkward fat people aren't "losers" either.

The two men turn out to be antagonists, but it isn't because they're fat. They're antagonists because they behave antagonistically.

The author could have easily described the men without using harmful stereotypes. Something along the lines of "they were a couple of pale, plump guys with long, stringy hair wearing camo and carrying cameras and other gear" would have given readers a mental picture of the men without pathologizing them.

There are physically attractive people who are "losers" because they treat others terribly. There are plain-looking, socially awkward fat people who are not losers but are simply trying to get by in a world that hasn't treated them kindly. I wish that writers, particularly those who are creating stories for a younger audience, would stop encouraging the idea that it's okay to be hateful towards another person or make assumptions about them based on their appearance.

Imagine being a socially awkward fat kid reading the passage above.

Now you may be able to understand why it bothers me so much.

I am also not keen on the "losers who dwell in their parent's basement" trope. My own son, who is neither thin nor fat but somewhere in between, is high-functioning autistic. Just talking to him, most people would not realize he was autistic. He presents as "normal," whatever normal is. However, he has never been able to hold a "normal" job thanks to anxiety, in part due to overstimulation of his senses. 

My son is cognizant of things that make no impression on me. He is hyper-aware of sounds such as those from the washing machine and dryer. He gave me his fiber optic Christmas tree because, for him, the light pattern changes too quickly and is overstimulating. I find the change in the light pattern soothing.

Now for the clincher. My son does not "dwell in my basement." After years of working physically demanding jobs, my health took a serious downturn, and then I suffered a physical injury. I moved into his small townhouse and slept on his couch because I couldn't work anymore. We now both live in a small rural town in an old house purchased by his father (my ex-husband.) He lives on the upper floor and I live in a room on the main floor. 

I hope that in the future the author will refrain from appearance shaming and describing people who do not fit Hollywood standards of attractiveness and success as "losers." Such tropes are hurtful and severely detracted from an otherwise wonderful and uplifting story about a group of unique characters triumphing over painful and devastating circumstances.

About the Author

Lis Anna-Langston was raised along the winding current of the Mississippi River on a steady diet of dog-eared books. She attended a Creative and Performing Arts School from middle school until graduation and went on to study Literature at Webster University. Her two novels, Gobbledy and Tupelo Honey have won the Parents’ Choice Gold, Moonbeam Book Award, Independent Press Award, Benjamin Franklin Book Award and NYC Big Book Awards. Twice nominated for the Pushcart award and Finalist in the Brighthorse Book Prize, William Faulkner Fiction Contest and Thomas Wolfe Fiction Award, her work has been published in The Literary Review, Emerson Review, The Merrimack Review, Emrys Journal, The MacGuffin, Sand Hill Review and dozens of other literary journals. She draws badly, sings loudly, loves ketchup, starry skies & stories with happy aliens.

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Monday, September 19, 2022

Ghost Hunters Reviews and Giveaway

 


Bones In the Wall

Ghost Hunters Book 1

by Susan McCauley

Genre: Middle Grade Paranormal Mystery 

Twelve-year-old Alex may have lost his ability to play sports, but he gained the ability to see ghosts. Now he must figure out how to put a malevolent spirit to rest -- or die trying.

Once an athlete and popular kid, Alex is in a terrible car accident that severely injures his hip and leaves him with a rare power: he can hear and see ghosts. All Alex wants is to be normal. But when a vicious spirit begins haunting him, Alex must accept his unwanted psychic powers and work with his best friend and his paranormal investigator cousin to solve the mystery of bones in the wall and put the ghosts in the house to rest. If he fails, he’ll lose his family and friends to a gruesome fate.

Ghost Hunters: Bones in the Wall is the first novel in the heart-pounding Ghost Hunters middle-grade horror series.

PRAISE FOR GHOST HUNTERS: BONES IN THE WALL:

“Young readers should find themselves deeply engrossed. . . (an) absorbing supernatural tale of change and coping.” - Kirkus Reviews

McCauley puts forth a fascinating premise that will captivate readers. . . a creative and highly original new work. . .”
– BookLife Prize

"Unique and imaginative, Ghost Hunters: Bones in the Wall blends middle grade angst with a big helping of the heebie jeebies. A sure hit for fans of R.L. Stine." - James R. Hannibal, award-winning author of The Lost Property Office

"An inventive, fast-paced tale brimming with chills, thrills, and heart. Perfect for fans of Lockwood & Co."-- Henry H. Neff, author of The Tapestry series

**On Sale for Only $1.99 Sep 13-Oct 19!!**

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Rating: Four out of Five Stars

This unique story is set in a world where the existence of spirits is a fact of life. The main character, Alex, plays Ghostball, a sport that involves a poltergeist trapped inside a ball. When Alex' mother suggests that he take up soccer instead, he says that he prefers Ghostball because you never know what the ball is going to do, whereas with soccer, the movement of the ball is determined by the actions of the human players.

Sadly, Alex' mother is killed in a devastating auto accident that leaves him with a badly injured leg. He can no longer play Ghostball, but he can now see and hear spirits.

The writing style is engaging, and the story is fascinating. However, despite the exemplary world-building skills and character development and the engaging plot line, I will not give this story five stars because I will not give five stars to any story that uses dehumanizing stereotypes. 

I am nearly sixty years old. I don't much care what anyone thinks of my physical appearance. I stopped caring about that a long time ago. However, imagine how you would feel if you were a heavy kid and you read this description:

"Not two feet away floated a translucent tub of a woman, moving away from me through a box of old ghostball trophies."

The rest of the story is kinder to Mrs. Wilson, describing her in a neutral fashion while still recognizing the fact that she is large. In fact, she becomes a beloved side character. However, if I had not agreed to read the book, I would have stopped the moment I saw that derisive description. It is not enjoyable to read a story while waiting for the next instance of appearance shaming to rear its ugly head. Kids should not be led to believe that it's okay to refer to larger people using insulting terms like "tub."

I'm all for having ghosts (and living people) with robust physiques appear in stories. It would have been fine if the author had simply described Mrs. Wilson as a large lady ghost. Adjectives like large, heavy, heavyset, chubby, hefty, portly, plump, stout, or just plain old fat are all neutral descriptions. "A tub of a woman" is contemptuous and stigmatizing. 

The normalization of size shaming has far-reaching consequences. I became bulimic at twelve years old because I was terrified of getting fat. At almost sixty years old, after decades of trying to hate myself thin and failing because diets don't work and neither does hating yourself, I have finally started making peace with myself. If I have to be the Titanic Tub of a Book Reviewer whose mission is to discourage my fellow authors from normalizing size shaming, so be it. Hopefully, one day we will live in a society where nobody else has to take up the mantle.

It's my understanding that "middle grade" stories have a protagonist around Alex' age and are written for readers in the eight to twelve-year-old range. This story seems a better fit for kids on the older end of that spectrum. It's solidly spooky and a bit sophisticated for the average eight-year-old. However, being the kind of kid who read horror comics under the covers with a flashlight when I was just a little tub, eight-year-old me probably would have loved it. 


Pirate's Curse

Ghost Hunters Book 2

In this ghostly and fast-paced adventure, twelve-year-old Alex must use his psychic gifts to speak with pirate ghosts to solve the curse of an old pirate hangout—if he fails, his best friends could be trapped there forever.

Ghosts are commonplace in this dark and exciting world, and the psychics who deal with “the Problem” are rare. Apprentice psychic investigator Alex and his two best friends embark on their first solo case to discover who’s haunting an old New Orleans pub. They battle ferocious winds, driving rain, and raging spirits to put a pirates’ curse to rest.

Ghost Hunters: Pirates’ Curse (Book 2 in the Ghost Hunters series) is filled with rich characters, spooky moments, and lots of action-packed fun. Perfect for fans of Neil Gaiman, Jonathan Stroud, and Stranger Things.

Rating: Five out of Five Stars

Alex, the hero of the Ghost Hunters series, has left school and moved in with Frank, a retired psychic investigator, to engage in immersive training. The abilities of most psychics are apparent by ten years old. Alex's abilities did not awaken until the car crash that killed his mother. At twelve years old, he feels like he is well behind in his understanding.

Alex has a chance to prove his mettle when Frank assigns him to help clear up what he believes to be a residual haunting at Lafitte's Blacksmith Shop Bar. His cousin Hannah and best friend Jason volunteer to help. Jason has a special pair of glasses given to him by Madame Monique, the owner of the occult supply store below Frank's apartment. The haunting turns out to not be residual at all, and Alex finds himself confronting two pirate ghosts and a powerful curse. 

Although there are obviously ghosts present, this story is more action-adventure than horror. The young hero, Alex, learns to work with others and to believe in himself when the problem that confronts him turns out to be much bigger than he thought it would be. 

There are wonderful life lessons in the book for young readers, but this is not strictly a "children's book." Readers of all ages will enjoy the exciting plot and may be able to relate to the challenges that Alex faces as he learns how to navigate life as someone seen as different and possibly misunderstood by the average person.

The story focused on the personalities of its players rather than their physical appearances, and I appreciated that. Thus far, this book is my favorite in the series, easily earning five out of five stars. Like Alex, the story has found its footing.

Spirit Fire

Ghost Hunters Book 3

Who—or what—is causing the fires in the French Quarter? A little girl? A long-dead prisoner? An evil presence calling to those beyond the grave?

In this spooky, fast-paced adventure, twelve-year-old Alex must fight smoke, flames, and ghostly prisoners to stop whatever’s causing the blazes—before more lives are lost.

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Rating: Four out of Five Stars

There are a lot of things to like about this story in the Ghost Hunters series. Alex is living a life that I would have envied if I were reading these books as the bullied teenager I once was. Imagine being treated as an adult at twelve years old, trusted to carry out critical assignments to rid your city of malevolent ghosts. Imagine being not only allowed but encouraged to have tattoos. Imagine not having to be bothered by idiotic school bullies or keeping up with the latest trends. That would be the life!

However, not everything about Alex's situation is enviable. While investigating a fire in a cafe, he learns he is also a seer. He can feel what the ghosts he encounters are feeling and relives the moment of their death with them. Being a seer causes encounters with ghosts to not only be chilly but painful. Alex finds himself in more danger than ever before.

This book has a spookier atmosphere than Pirate's Curse, which is perfect for Halloween in New Orleans. The author does an exemplary job of describing the setting and setting the spooky tone. It feels like the reader is really along for the ride. The author also excels at creating characters that readers can really care about.

While the author doesn't use markedly odious descriptions for any of the characters (and by any of the characters, I mean the plump, portly, and stout Mrs. Wilson) I have little of a sense of humor for using people's bodies as jokes. For reasons unknown (and by reasons unknown, I mean not really seeing larger people as actual human beings) the author believes that Mrs. Wilson's robust physique is comedy gold. (Hint: it really isn't.)

Mrs. Wilson saves Alex's life by shutting the box providing a gateway for an especially dangerous ghost, injuring herself doing so. Instead of fondly saying "that's my Mrs. Wilson, always looking out for me," or something of that nature, Alex finds it hilarious when Alice, the ghost of a little girl who died in a fire in 1788, describes Mrs. Wilson as "fat."

Considering that I spent more than three decades trying to hate myself thin in a body determined to be fat after my thyroid destroyed itself when I was around Alex's age, plus polycystic ovarian syndrome, plus a lifetime of food insecurity both involuntary (no access to decently nutritious food) and voluntary (self-imposed dieting, see "trying to hate myself thin"), and only recently being able to start my day without my first conscious thought being "you fat, disgusting pig, it's no wonder nobody likes you. Just look at you! You're so ugly, nobody could ever love something that looks like you", I am unamused by Mrs. Wilson's physique being a joke yet again. 

I get it. You think fat people are nothing more than comic relief. Har de freaking har. Well, we big girls may be able to take it, but imagine being a fat kid seeing bodies like yours used as objects of ridicule. Imagine a chubby teenage girl, who is likely being bullied for her size, realizing that even adults who don't know her see her as a joke. Imagine reading about a character you could consider a friend, but knowing they would laugh at you too. It hurts, and people need to think before they write such scenes. 

In my first review, I said I would never give a five-star rating to a book that dehumanizes any subset of people, particularly a book whose target audience is kids. Teaching kids that fat people are subhuman clowns who deserve ridicule is not a good lesson. I stand by that rule. It doesn't matter how good the rest of the book is. There is no excuse for appearance shaming. 

Swamp Witch

Ghost Hunters Book 4

In this spooky-fun mystery, thirteen-year-old psychic Alex and his paranormal investigator friends face their biggest challenge yet: the hospital haunting. The friends are convinced that this surge of ghostly activity is far more devious than the “experts” suspect—and that only the ancient magic of an elusive swamp witch can put the ghosts to rest. Finding the witch means braving the Louisiana swamps full of gators and snakes, but if Alex and his team fail, New Orleans could become a realm of the dead.


Book 4 in the paranormal mystery Ghost Hunters series is perfect for fans of Lockwood & Co. and Stranger Things.

**Released Sep 13th, 2022!!**

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Rating: Five out of Five Stars

Until I read this book, the second in the series was my favorite. Now it's my second favorite. Alex and the author have both grown, and it shows in this exemplary paranormal adventure.

Having learned to control his abilities as a seer, Alex feels confident in helping his mentor Frank on an overwhelming case at the hospital. However, the manifestations they must confront are astoundingly powerful. Could this be the last case for Alex and the team?

Not only does the author give readers a wonderfully spooky story, but she also provides a bit of education about the Chitimacha tribe. I knew nothing about them previously and found myself interested in learning more. I really enjoyed Alex' growth in the way he treats his companions. Even though he refers to Mrs. Wilson's "tub of a body" at one point, it's done in such an affectionate way that I can't find fault. If this book is the final chapter, then the series is ending on a high note.

Although these books are categorized as "middle grade," I feel that readers of any age can enjoy them. Overall, I found them wonderfully entertaining.

Susan McCauley is a screenwriter and award-winning author of books for adults, young adults, middle grade, and young readers. Susan fell in love with writing, theater, and film when she was eight-years-old. That passion inspired her to receive a B.A. in Radio-Television with a minor in Theater from the University of Houston, an M.F.A. in Professional Writing from the University of Southern California (USC), and a M.A. in Text & Performance from the Royal Academy of Dramatic Art (RADA) and King’s College in London. Susan also studied acting at Playhouse West with Robert Carnegie and Jeff Goldblum (Jurassic ParkIndependence Day) in Los Angeles.

Susan has several short stories published, one of which, "The Cask", was made into an award winning short film. "The Cask" was published in the Camden Park Press anthology Quoth the Raven, which won Best Anthology of 2018 in multiple reader polls. In addition to her short stories, Susan has one novella and four novels in print, as well as a feature length film in development. Many of her books have appeared on the Horror Writers Association Recommended Reading List.

Susan loves travel, animals, movies, theatre, taekwondo, her family, and books (of course!) 

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Friday, January 21, 2022

The Benevolence of New Ideas Review and Giveaway

 


The Benevolence of New Ideas

One Woman's Journey From Sicily to America Book 3

by Carmela Cattuti

Genre: Historical Women's Fiction 

The satisfying conclusion to Angela Lanza’s story which began in Between the Cracks when she loses her entire family in the earthquake on Sicily following the 1908 eruption of Mt. Etna and continues in The Ascent as she adjusts to life in the United States as a new bride and Italian American immigrant. Now, the final installment in the trilogy, The Benevolence of New Ideas, thrusts Angela and her family into the heart of the Vietnam War and the turbulent times of the 1970s.

As the family matriarch, Angela guides her niece, Marie, through these challenges and the era’s limiting structures of education and organized religion, helping Marie to embrace new ideas and expand her intuition and relationship with the unseen world. Angela’s compassion and wisdom has an exceptional impact on Marie’s life and those around her. A fulfilling ending that celebrates Angela’s wisdom in all things along with her well-lived life from tragedy to triumph and from heartbreak to the enduring love of family.

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The Transition 

           Angela sat by her husband’s hospital bed and waited for the end to come. She wondered how she should move forward in her life after Franco took his last breath. He had married and brought her from Sicily in 1913 and now, years later he lay dying from a stroke. In life he constantly expressed his opinion regardless of popular sentiment and now his voice was gone, and his shallow breathing was the last functioning system. He had had several strokes over the years, now this was the one that would take his life. Angela had sat with many of her family members and friends during the past decades as they transitioned into the next world: her mother-in-law, sister-in-law, and older Italian immigrants who left their homeland and never saw the land of their birth again. 

      Franco’s chest rose slowly and fell abruptly as if his lungs were attempting to perform their function but the soul who had inhabited the body had already vacated and was waiting for his lungs to stop so he could complete the process and move on. When Franco executed his final breath, Angela anxiously awaited his next inhale, but his chest was still. He had gone.

      Angela had cared for him during his long illness and now she was free. The relief she felt made her cringe. How could she so easily feel relief when Franco had suffered? She grieved but was thankful there would be no more concerns about leaving him home alone or trips to the doctor, or Franco insisting he could perform a task when he couldn’t. He had immigrated from Sicily at age twelve in the early 20th century full of energy and promise. Now, in 1968 Angela looked back and felt he had been successful in fulfilling that promise. Franco had brought Angela, at age eighteen from the convent orphanage in Palermo where she had lived since the 1908 earthquake to a new life in Nelsonville, New York, about forty-five minutes north of Manhattan. It was not the life she thought she would have in America, but what she had created in America she never would have had the opportunity to experience had she stayed in Sicily. 

      Angela kissed Franco several times on both cheeks and on the lips. The doctors had said it was a matter of time until he would pass away. She could see death hovering and begin to slowly drape his body from his head to his feet as if giving Angela time to say good-bye. 

      “Adio mio caro,” whispered Angela. “Grazie di tutto.” Tears rolled down her face onto Franco’s cheek and mouth. His eyes were open and fixed, as if peering into the world beyond. She put her hands on the sides of his face and with her thumbs closed his eyes. A nurse stepped into the room.

“He’s gone,” said Angela.  

      Angela gathered her pocketbook and scarf, went to the door, and stepped over the threshold. The nurse had covered Franco’s body with a sheet as if to close a chapter on a life. The 1960s were ending and so was Angela’s former life and attitudes. 




The Ascent

One Woman's Journey From Sicily to America Book 2

The sequel to Carmela Cattuti's first novel, Between the Cracks,, this story invites the reader to accompany Angela Lanza as she builds her life in America during the first half of the 20th century. A Sicilian immigrant, she manages to assimilate into the social life of a small town outside of New York City. Through the horrors of war, domestic tragedy, and raising her sister-in-law's children, hers is a successful immigrant experience. Angela seeks to transcend organized religion and develop her spirituality. She influenced three generations of Americans through her artistic sensibility and a sharpened intuition. The book parallels America's growth with Angela's growing sense of who she is in the world.

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Alice came to a fork in the road. 
‘Which road do I take?’ she asked.
‘Where do you want to go?’ responded the Cheshire Cat.
‘I don’t know,’ Alice answered.
‘Then,’ said the Cat, ‘it doesn’t matter.’
Lewis Carroll, Alice in Wonderland


PROLOGUE

Nelsonville, NY-1930

Angela stood in the kitchen of her fifteen room Queen Anne Victorian home on Morning Glory Avenue. It had been twenty-two years since she had experienced the 1908 earthquake in Messina, Sicily. Her sister, aunt, and grandmother had perished in the disaster. At the time of the earthquake Angela had been an orphan; both parents had died in their early twenties. Angela and her brother, Antonio, were sent to live with their grandmother, while her younger sister, Maria, was sent to live with an aunt. The earthquake had finished her family and now she was standing in a big house without a family to fill it.  A few years after she had emigrated from Sicily, Angela had fallen ill with a high fever. Her uterus had ruptured, and the doctors had to remove it, ending her dream of having children. 

Angela moved to the dining room and surveyed the dining room table as if it were an artist’s canvas. The white linen tablecloth made the room feel fresh and hopeful. An empty crystal bowl with white candlesticks on either side stood in the center of the table like place holders, waiting for the next gathering to occur. She walked to the buffet and gazed at a photograph of her sister-in-law, Speranza; a tall thin young woman with sunken cheeks peered out from underneath a 1920s style hat and dress. A holy card of the Blessed Mother leaned on the side of the framed photograph. Angela had placed it there so that Speranza was protected by Mary. She had made the ensemble for Speranza’s engagement party ten years ago. When Angela came to America in 1913, Speranza was nine years old and in need of guidance. Angela had lost her sister, so she set her intentions on caring for Speranza, in turn, Speranza helped her learn English.

A few months ago, Speranza suddenly died from a heart ailment. It was a blow that would stay with Angela until she passed from this life. Angela removed the card and leaned it on a nearby crystal bowl and picked up the photograph. Next to Speranza was her husband Salvatore. He had a vacant stare that communicated to the viewer that he was either occupied elsewhere, or he hid who he was. Angela still had Speranza’s three children to care for, but they were not her blood. Angela returned the photograph and holy card back to its original place. Franco’s chair was to the left of the buffet. Angela had made the chair cover with a rose motif material. Franco’s body had made an impression on the worn cushions a ghost of his form that Angela sometimes mistook for Franco. Pipes encrusted with tobacco dangling from a pipe holder like small sculptures sat on a table next to the chair. The room reeked of stale tobacco.

Angela turned and admired the black marble fireplace and two sets of sliding oak French doors. One set lead to her sitting room and the other opened to a spacious hallway with a winding staircase. She gazed at the tapestry of Vatican City that hung over the fireplace; St. Peter’s Basilica stood in the center like a fortress. Franco had purchased it on their 1929 trip to Sicily. They had returned to Messina hoping to find out what had happened to Angela’s sister Maria. Unfortunately, there was no documentation about her death or survival, so Angela returned to New York without any closure about her sister’s fate. Every time she looked at the tapestry, she was reminded about the nebulous part of her life, and the lingering sense that her sister existed in a space between life and death. This is God’s version of purgatory for me, thought Angela. She was not allowed the heaven she thought would befall her once she came to America.

Angela opened the French door to her sitting room. A couch with billowing cushions sat in front of another marble fireplace. Sewing baskets, dress patterns, and cloth remnants were neatly stacked on a worktable. The house had been built for a physician in 1888. There was a large oak cabinet at the end of the room where he had kept medical supplies. Angela now stored material, thread, and knitting needles. She liked that it had been a healing space that served the community. Maintaining good health was a priority in Angela’s life. She made sure her food was fresh and walked every day regardless of the weather. Angela especially liked the walk to St. Mary’s school which sat on top of a hill over-looking the Hudson River. 

Next to the sitting room was Franco and Angela’s bedroom. It too had French doors that opened into a light filled room. Over the top of the bed was a half-moon shaped stained glass window and when the light spread its rays through the window Angela felt it was a kiss from the sun. Green, red, and blue rays engulfed the room, giving it a feeling of connection with heaven itself. A third dark marble fireplace, with decorative interlacing gold spirals, stood next to the vanity like an anchor for the light. A multi-tiered wrought iron candle stand stood in front of the dark fireplace. When Angela survived her illness many years ago, Franco had prayed to the Blessed Mother to heal his young wife. This was on a Friday, the next day her fever broke, and she was sitting up in bed when Franco came to visit. Every Friday, Angela lit candles to Mary in appreciation for the miracle.

Angela moved into the spacious hallway. Two large stained-glass windows lined the winding staircase. Bright light penetrated the multi-colored stained glass, casting a rainbow of color on the steps and floor. Under the front window sat her sewing machine. A full-length mirror hung on the wall to the right; a small platform waited in anticipation of the next customer. 

Across from the staircase the largest fireplace of them all greeted anyone descending the stairs. It was the same color and design as her bedroom fireplace, but the spirals were intertwined with circles creating a rhythm that reminded Angela of music. Antique gold clocks lined the mantle with figurines depicting eighteenth century dress; ladies with ornate fans shielding their lips and nose, men with white wigs and handkerchiefs dangling from one hand. During the holidays a roaring fire was lit and the aroma of oak and cedar filled the downstairs rooms. 

She stood at the bottom of the staircase with her hand on the railing. The rooms upstairs were vacant. There were not enough people to fill them. They had bought the house with the expectation that Speranza and her family might one day live with them. There was another kitchen and bathroom on the second floor; an apartment that waited for occupants that might come one day. After Speranza’s death, Franco had wanted to rent the rooms for extra income, but Angela opposed it.

“Someone will come if we leave the rooms empty,” Angela told Franco.

        “No one will come,” Franco said. “We need to ask our friends if they know of a family who needs a place to stay. The extra money will come in handy.”

“Speranza’s children will want to stay with us,” Angela said. “Besides, why have strangers live in our home?”

Since his stroke, Franco did not have patience with children. He favored his nephew, Nunzio, Speranza’s first child. Nunzio was vociferous and more than disruptive at times. Angela tried to tame him, but Franco delighted in Nunzio’s boisterous behavior. When Nunzio played with toy guns, Franco taught him how to shoot. He was amused by his nephew, but Angela felt Nunzio’s behavior, while amusing at age six would be offensive as a teenager, and dangerous in adulthood. If Nunzio lived with her, he would have to change. The two younger children were sweet and needed a mother. Their father was often out-of-work and Angela felt he relinquished his obligation as a parent to his sister Paolina. His sister had catered to Salvatore his entire life. He relied on her to cook his meals, wash his clothes, and clean his house.  Salvatore rarely interacted with his children and relied on others to care for them.

Between the Cracks

One Woman's Journey From Sicily to America Book 1

Join Angela Lanza as she experiences the tumultuous world of early 20th century Sicily and New York. Orphaned by the earthquake and powerful eruption of Mt. Etna in 1908, Angela is raised in the strict confines of an Italian convent. Through various twists of fate, she is married to a young Italian man whom she barely knows, then together with her spouse, immigrates to the U.S. This novel is an invitation to accompany the young Angela as she confronts the ephemeral nature of life on this planet and navigates the wide cultural gaps between pre-World War II Italy and the booming prosperity of dynamic young America.

Author, artist, and teacher Carmela Cattuti created Between the Cracks as an homage to her great-aunt, who survived the earthquake and eruption of Mt. Etna and bravely left Sicily to start a new life in America.

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There are many stories about heroic men and there are a few stories about heroic women, but there are few stories focusing on everyday women who are heroic because they keep going despite sometimes unspeakable tragedies. Angela, the protagonist of Carmela Cattuti's trio of stories, is such a heroine.

These stories may be fiction, but they read like biographies. I felt like I was observing the characters, wanting to interact with them. With strong and detailed writing, these stories are a must-read for anyone who enjoys historical fiction, particularly stories set in the twentieth century.

I was interested in reading these books because stories about the influx of immigrants coming to the United States at the turn of the century have always fascinated me. For instance, my father's paternal grandparents came from Lithuania during the early part of the 20th century. 

These books will provide several days of fascinating reading for fans of historical fiction. I enjoyed observing the growth of a realistic and mostly likable character from her youth to her elder years.

The quality of the writing is excellent, but I am knocking two stars off of my rating for the second book because of the extreme levels of size shaming. Thus, I give the first and third books four out of five stars each and the second book three out of five stars. 

These books were superbly crafted, and the author has undeniable talent. But even exemplary literary ability cannot offset disdainful attitudes towards a subset of the population. Yes, sometimes characters have odious opinions and behaviors. I would not want to read only completely sanitized stories because that would be unrealistic. 

Characters can effectively illustrate negative behaviors and attitudes. However, the author seemed to share Angela's opinion that Clara's worst quality is her physique, as evidenced by her continued use of Clara's size to reinforce the idea that Clara was an awful person. Although Clara was clearly an overbearing individual, I saw her as the victim in this dreadful scenario. 

This is an important issue and I include my further thoughts on the matter at the end of the post for anyone who wishes to read them.

Carmela Cattuti started her writing career as a journalist for the Somerville News in Boston, MA. After she finished her graduate work in English Literature from Boston College she began to write creatively and taught a journal writing course at the Cambridge Center for Adult Education. As fate would have it, she felt compelled to write this homage to her great-aunt, who survived the earthquake and eruption of Mt. Edna and bravely left Sicily to start a new life in America. Between the Cracks and The Ascent began the story, which now concludes with the final book in the trilogy.



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Size Prejudice: A Big Problem

"The fundamental issue Angela had with Clara was her huge size: a size 20 and she weighed at least 250 pounds in Angela’s estimation."

It only gets worse from there. Angela's mirror is not big enough to reflect Clara's entire body. Perhaps she needs to get a bigger mirror. I'm not sure how big the author thinks a 250-pound person is, but I'm bigger than Clara and I've had no trouble seeing my entire body in a standard mirror.

Clara has trouble climbing the stairs to Angela's home. The implication is that her size is the reason for this difficulty, not that there could be an underlying issue causing both weight gain and difficulty climbing stairs. Angela opines that one day Clara is going to have a heart attack on the stairs and I had a strong feeling that she thought that Clara deserved to suffer because of her size.



There are large people who have no difficulty climbing stairs or even doing strenuous exercise. I have difficulty climbing stairs because of problems with my lower back, the result of always working physically demanding jobs until I became physically unable to work at all. My heart is actually fine, unlike my endocrine system, which is a jacked-up mess. 

The author describes Clara as wearing a dress that resembles a tent. If clothing that resembles a tent is all that is available to fat people, then fat people will wear clothing that resembles a tent. Personally, I wear nondescript clothing that doesn't resemble much of anything except clothing.

I once read an opinion piece stating that making only unattractive clothes available to fat people is a good idea because it will encourage them to lose weight. Shaming and othering is a poor motivator regardless of the desired outcome. Further, most fat people have dieted, likely more than once. I personally attempted to hate myself thin over the course of 33 years. 



Weight reduction diets only work long-term in a small percentage of the population. Dieting essentially places the body in a state of controlled starvation. The results of the Minnesota Starvation Study describe the physiological response to dieting in a healthy adult.


This article about weight regain experienced by former contestants on The Biggest Loser also does a good job of explaining how dieting damages a person's metabolism.


At one point, Clara puts her thick fingers on her huge hips.

Does the author think that all fat people have sausage fingers? I do not deny that we could describe my hips as huge, but even with my titanic size 24 body, I do not have sausage fingers. Sausage fingers may result from edema. Edematous hands point to serious underlying medical issues and are not a call to ridicule the person who has them.

When Clara leaves Angela's house in a huff, she "wobbles from side to side" while going down the stairs.

If a person has a wobbling gait, it indicates an underlying structural issue. People with a wobbling gait often have spinal problems. Sometimes the underlying cause is neurological. Most fat people do not walk with a wobbling gait. 

The horrific levels of size-shaming in this chapter appalled me. It almost made me stop reading. Had the author simply described Clara as a large woman with an overwhelming personality I wouldn't have minded. It was the overt disdain for Clara's body that I found so troubling.

It's almost as if authors think fat people cannot read and therefore no one reading their story will be fat so it's open season to ridicule and demean larger people. Clara is clearly a troublesome client because of her personality. One might think that this would be the fundamental issue rather than her size. Perhaps because I wear a size 24 garment, I am too stupid to understand that a large body, not an annoying personality, is the very worst quality a person could have. 



I know fully that the world hates fat people. I'm simply disappointed to see an otherwise wonderful story marred by the author using big people as scapegoats.

Reading this chapter affected me more profoundly than I initially realized. I believed I had let it go and moved on, but after eating breakfast, I felt tired and discouraged and opted for a nap. Dreams of an angry woman scolding me for my "failure" to become and remain thin plagued me. I remember the inside of my mouth hurting, and when I woke I discovered I had bitten my tongue and the inside of my cheek.

Size prejudice has long-term negative consequences on those who experience it, just as any other prejudice does on its victims. The effects of being on the receiving end of such prejudice include reduced self-esteem, depression, anxiety, and social avoidance. The following article contains further information about the consequences of size prejudice.